Susan R. Kirshenbaum

art and life - both the cherries and the pits

SEPTEMBER INTO NOVEMBER: ART SCENE/SEEN

Susan R. KirshenbaumComment

At the Sean Kelly Gallery (Chelsea, NYC) we saw this haunting exhibition by Dawoud Bey – photography and video – of his journey through old plantations and slave dwellings.

September in NYC

September is my birthday month, the start of a new season, the beginning of the school year, fall, and it is my favorite time to travel.

Talk about pent-up demand! It was my first time flying since Covid and I went “back East” to NYC. The trip was filled with food, friends, family, gardens, and art. We visited a number of alternative art venues, galleries, museums, and art fairs including The Armory Show and the Works on Paper Show.

Friends took us by car to The New York Botanical Garden in the Bronx and to Red Hook, Brooklyn for lobster rolls and alternative art at Pioneer Works.

Our stay coincided with the 20th anniversary of 9/11/11, so the humid September air was heavy with sadness. New Yorkers were so traumatized by Covid in what felt like a different way from the SF Bay Area. For many New Yorkers it had something to do with being hit first and hardest, the constant screeching of sirens, deaths literally piling up, people fleeing for less populated places to stay and ride it out, and The City emptying out.

In NYC on September 11, 2021, it was not easy to ignore the 20th anniversary of 9/11/11. There were signs of it everywhere. This was in Riverside Park.

Barbie, my frequent travel companion, was hanging out with me on our friend’s balcony.

Joyful with Kasuma: NY Botanical Garden (Bronx)

I first saw Kasuma’s work in 2019 on the Art Island in Japan, where many of her giant squash sculptures reside. Seeing her vast installations throughout the Botanical Garden was impressive and delightful.

The NY Botanical Garden is special to me since I got married there – at their Snuff Mill (aka Stone Mill) by the Bronx River, several decades ago. When I go to NYC I like to visit The Gardens. Exhibits like this one show it off in a whole new light.

“The 250-acre verdant landscape — which includes a 50-acre, old-growth forest — and the landmark Enid A. Haupt Conservatory support living collections of more than one million plants.”

I spend a lot of time locally at the SFBGin Golden Gate Park. Many of my nature photos come from my walks there.

Even the trees were all dressed up – wrapped in Kasuma’s fabric.

My Soul Blooms Forever is a greenhouse-like building where you get to stick a flower.

Reflections outside of the Mirrored Room—Illusion Inside the Heart (2020).

Dancing Pumpkin in front of the flower conservatory.

A portion of Kasuma’s Dancing Pumpkin with Barbie enjoying the installation.

In and Around Manhattan

My destination was the extensive exhibit of Cezanne’s Drawings but the crowd pleaser at MoMa was Automania.

A powerful Mural by Eduardo Kobra of Gandhi and Mother Teresa.

Little Island is one of NYC’s latest exciting outdoor excursion options and it’s right off the Highline.

NYC at night is magical.

An archetypal pretzel vendor glows in the dark.

There are so many architectural gems around town.

A visit to the Philip Gaston: On Edge exhibition at Hauser & Wirth Gallery. Many Covid-safe galleries use QR codes for self-guided, safe experiences.

When summer slides into fall, and faux flowers decorate all…loved the outdoor dining setups decorated with flowers. But I felt quite wilted in the September heat and humidity.

New York’s Jewish Museum

This gorgeous portrait resides in the permanent collection of the museum. By Kehinde Wiley, The World Stage: Israel, 2011.

Oddly I have never been to this museum. It turned out to be a wonderful treat. The exhibition that drew us there was Afterlives: Recovering the Lost Stories of Looted Art. “This exhibition traces the fascinating timelines of individual (works of art) and objects as they passed through hands and sites before, during, and after World War II, bringing forward their myriad stories.” Needless to say, it was a poignant and provocative exhibition.

This exhibit runs through January 2022: Afterlives: Recovering the Lost Stories of Looted Art.

In Red Hook

On a warm sunny day our friends picked us up in their convertible and took us for lobster rolls (all the rage in NYC), then we toured Pioneer Works and experienced an immersive art piece created by MOSES SUMNEY

“We’ve learned to speak, dance, and feel from the depositories of our screens. From social media self-documentation to advertising’s algorithmic automation, in the midst of the echo, what do we teach our technology, and what does it teach us?”

— Moses Sumney.

Movement practice videos guide you while awaiting entry.

A container-made building on the grounds of Pioneer Works.

“Presented by Pioneer Works at Red Hook Labs, technoechophenomena is an experiential, audiovisual installation by Moses Sumney that offers an extension of his artistic and musical oeuvre, exploring isolation and our emotional relationship with technology. Echophenomena is the unintentional imitation of actions. This includes the repetition of words and sounds, body movements, or thoughts picked up from external stimuli. The artist adds the prefix ‘techno-’ to the psychological term, evoking the relationship between human behavior and modern technology. Visitors enter a custom-built cubic room, and learn a series of technology-inspired gestures choreographed by the artist.

Magnificent Morgan Library

Somehow I’d never been to “The Morgan” in all my years living and visiting NYC and now I can’t recommend it enough. There’s the original part (pictured below) and a gorgeous contemporary addition with changing exhibitions.

Looking up into the original library.

The Annual Armory Show

Photographed at two pink booths in the Armory Show in my pink artwear.

Our trip to NYC was planned around The Armory Show. Arranged in the spring of 2021, we didn’t know how life would unfold in the world of Covid. I’m glad we stuck to our plan and ventured across the country to see art, friends, and family – all of which we were starving for.

This caught my eye (among many pieces). It’s a huge, complex, fascinating figurative painting.

Here’s a corner of a gallery display of 2D+3D combo art ceramics at The Armory Show.

At Sapar Contemporary Gallery we admired Dilyara Kaipova’s coat art and Faig Ahmed’s sculpture basOriental carpets (on the wall).

3-D @ Art on Paper

I brought my visiting niece and her friend to this show and they were amazed. I believe that these massive, top-shelf art fairs are a different type of art experience for many. And it wasn’t overcrowded this year and it felt rather safe! The next Art on Paper show is in spring 2022.

Enormous paper sculptures at the Art on Paper show.

More giant paper sculpture wraps the columns - created by Samuelle Green.

October in The Bay Area

Fieldtrips! We took some breaks and went to Point Reyes National Seashore, Pacifica, and Half Moon Bay, among our various road trips around the Bay Area. We found signs of fall, large birds, and enjoyed long, misty walks.

In Bolinas the beach detritus looked like a fish or a boat.

While visiting Point Reyes we stopped into this artist’s studio. Keith Hanson is known as “The Birdman of Bolinas”.

Fall Gallery Exhibitions

It was a whirlwind of art events back in SF. I wrapped up my Sept show at City Art Coop, “Her Pinkness”; launched Oct shows at SFWA “Barbie on the Cusp” (below left) and participated in Artist’s Choice (below right); helped hang the Artspan Open Studios show (see it before it closes!); delivered my work for a group show, “The Naked Truth of Arts”, brought my piece to Root Division for the exhibition/art auction; and prepped my own open studio for a reception. I attended all of the openings. Plus, I returned to my role as SFWA’s Exhibitions Director.

San Francisco Women Artists Gallery (SFWA)

Friends at the Reception for SFWA’s Member Open Studio Show in front of my “Barbie of the Cusp” series.

City Art Coop Gallery

Taken in August Reception at City Art Coop Gallery in front of “Her Pinkness”, I’ve had shows there Aug-Sept. And will show there again Dec 2021-Feb 2022. Visit me at the gallery!

“Her Pinkness II” shown in Sept at City Art Coop Gallery (SF).

SFWA’s August Abstract exhibition was juried by Philip Bewley (left). My piece (right & below) is called “Bent not Broken”, a digital original collage (Edition of 1/1) printed on metal.

Here’s a virtual in situ version of the same piece on the gallery wall above.

Artspan Open Studios Exhibition

That’s my piece (top right) that I’ll be discussing my work TODAY in an Artist’s Talk: Tues, Nov 9 from 6:30-8pm - Eventlink. Tune into this not-to-be-missed Zoom conversation with Artspan Artists.

At the SFWA Annual show, “Artist’s Choice” with my 36” square metal print “Appear / Disappear”. This was an Open Call Show juried by Alan Bamberger. With artists Usha Shukla (left) and Pam Borelli (center).

My Open Studio

The hallway gallery entry into my workspace at The Sobel Design Building awaiting guests arrivals.

Friends attending my Open Studio Reception Oct 16, 2021.

The Naked Truth of Arts

“The Naked Truth of Arts” started out at the height of the Bay Area’s sheltering in place as an Instagram exhibition with artists – both visual and sound. We all posted black and white self-portraits and told our Covid stories. Curated by Nathalie Fabri and Fabio Reis, they brought the exhibition into an analog phase in SF’s Mission District, ironically it was installed at the analog gallery. They displayed our printed photos, stories, and artwork. And they threw a real, in-person opening party complete with live music! It is also a fundraiser with cool gifts like the cards below (right).

At the physical exhibition my piece is just below the sign. It’s titled “Body Paint (Janique)”.

The show poster with all our black and white self-portraits.

Friends visiting the exhibition posing in front of photos of the artists (I’m veiled in the middle).

When you give $45 to the project founders funding campaign, you get a deck of art cards with our photos and our stories.

Field Trip: Disney Museum

The view from the museum hallway, in the Presidio overlooking the Golden Gate Bridge.

What a hidden gem this museum is! Whether you’re a fan of Disney and animation – or not, there’s so much to see, hear, and learn here. The design of the space is stunning and the views are superb. It was a perfect crisp, clear autumn day.

Looking down through the beautifully-designed main museum. We also visited the WWII special exhibition and learned so much history!

A Disney miniature city is collaged with a life drawing (in person!). Model @Shari_Putra.

Fall at the DeYoung Museum

JUDY CHICAGO

The Judy Chicago retrospective is a powerful exhibition chock-full of feminist art organized by the artist’s thematic phases. The show starts at the later stages of her life confronting death and the climate crisis and goes backward to her earliest work and feminist roots. Unfortunately she also gave a live performance with billowing orange smoke pouring out of the museum and park that didn’t go over well in SF where we are in the midst of fire season.

PATRICK KELLY

The Patrick Kelly exhibition is a tasty treat with a very sad ending. His life was cut short by AIDS at the height of a skyrocketing career as a fashion designer in the 1980s in Paris. His work is still so fresh and contemporary for its multitude of social activist messages. See it to see what I mean.

Outside the Patrick Kelly show in my artwear and new Button Lady gloves purchased at the show.

Immersed at Asian Art Museum

My most recent museum thrill was getting immersed at the Asian Art Museum in a delicious, interactive, multi-media show by teamLab: continuity.

Root Division Art Auction

Here I am at the Root Division Exhibition prior to the Auction with my piece, “Vins”. My art was submitted through Black White Projects.

What’s Next?

EXHIBITIONS & EVENTS

> SFWA Art Fundraiser Auction (online) | Nov 6 – 13 (last day is today)
>
Art Guild of Pacifica: Member Show | Oct 29-Dec 12 | Fri, Sat, Sun, 1-5pm

> ARTSPAN Open Studio:

> ARC PROJECT GALLERY: “Intimacy Illuminated" | Curated by Nathalie Fabri | In-Person Reception: Sat, Nov 20, 7-9pm | Exhibition: Nov 20-Dec 18

> City Art Coop Gallery | Dec 2021-Feb 2022 | Visit me at the Gallery Dec 13-14 & Jan 16 & 25

A new collage with GG Park twisted tress and figure drawing collaged together.

Lefty

ArtingSusan R. KirshenbaumComment
Shoulder-themed collage: composed of a poster hanging in my surgeon’s office, a digital abstract painting of mine, and a portion of a gorgeous ceramic sculpture in an art show.

Shoulder-themed collage: composed of a poster hanging in my surgeon’s office, a digital abstract painting of mine, and a portion of a gorgeous ceramic sculpture in an art show.

Okay, so it was temporary. But long enough to explore ambidextrousness and using my left hand so much more. Not exactly past tense yet. This time it’s my right side. Last time it was the left.

Have you ever had to learn to function with your non-dominant hand/arm? Because of this I haven’t been writing since my right shoulder surgery (three different issues) in early May, but now I am resting my right hand on my laptop while writing with both hands, because I’m on the road to recovery. Lucky for me that I already work so much with an iPad so I can keep making art without having to use my entire arm and body. I’ve been using this time to create more digital collages. I’m taking my existing drawings from life model sessions to use as a base and adding my photos and/or my digital abstract paintings in layers. I’ve tried making some new drawings and paintings left-handed or with my right hand (attached to my immobilized right arm), albeit, crudely. Going through my treasure chest full of drawings so I can change and refresh them has been a bit like shopping in my own closet. My archive is full of endless possibilities, especially since I attended so many Covid zoom model sessions.

Kyla is a nightlife performer/aerial ballet dancer based in Brooklyn during Covid on Zoom while live performances were on hold. Collaged with the Madrid Botanical Garden.

Kyla is a nightlife performer/aerial ballet dancer based in Brooklyn during Covid on Zoom while live performances were on hold. Collaged with the Madrid Botanical Garden.

Dieter, a member of my regular drawing group, posing here with a lovely old microscope and layered with my abstract paintings.

Dieter, a member of my regular drawing group, posing here with a lovely old microscope and layered with my abstract paintings.

I can barely use my cameras one-handed. So I have even incorporated a few photos from friends’ summer gardens (Sarah S. in Western Mass grows the best flowers). I’ve been finding ways to obliterate my original drawings to increase depth and complexity. I like the painterliness, moodiness, and mirrored or multiplied images added in. The added layers help build out my ideas and the personality of the subject.

Shout out: I love my physical therapists at Davies Medical Center (SF) and so appreciate their sincere interest in getting me drawing again.

Recent Work

A portrait of Dwight made at my Zoom drawing group – with my left hand. It was juried into SFWA’s August exhibition “Bold. Color!” in August.

A portrait of Dwight made at my Zoom drawing group – with my left hand. It was juried into SFWA’s August exhibition “Bold. Color!” in August.

Titania is a popular local model, although I’ve only drawn her on Zoom. I sold a print of this work via Instagram to a friend in the midwest.

Titania is a popular local model, although I’ve only drawn her on Zoom. I sold a print of this work via Instagram to a friend in the midwest.

This is a portrait from Zoom group out of Dublin of Izabella. I loved these virtual travel and drawing opportunities that came out of the pandemic.

This is a portrait from Zoom group out of Dublin of Izabella. I loved these virtual travel and drawing opportunities that came out of the pandemic.

A favorite due to the yummy color palette, this too will be in the SFWA August exhibition “Bold. Color!”.

A favorite due to the yummy color palette, this too will be in the SFWA August exhibition “Bold. Color!”.

A spring trip to Palm Springs, CA helped me restock my image bank with cacti for collages.

A spring trip to Palm Springs, CA helped me restock my image bank with cacti for collages.

And Men Too

Recently I was asked to show some of my male figurative work for a potential interior design project. Here are a few of my favorite male subjects.

Working on multiple versions again showing a collage with a male model and dogwood flowers (above) and abstracted, another in the same series, in situ, below.

Working on multiple versions again showing a collage with a male model and dogwood flowers (above) and abstracted, another in the same series, in situ, below.

Dwight with a mug among sunflowers in Catalonia. Virtual travel is placed in a virtual living room!

Dwight with a mug among sunflowers in Catalonia. Virtual travel is placed in a virtual living room!

dwight-sunflowers.jpeg

After many iterations I’m finally satisfied with this version.

WHAT’S NEXT & FALL PLANS

At last I’m beginning to shift gears into a semi-post-pandemic mode, and starting to make plans for the rest of the year, because it seems possible again!

Yay! An in-person opening at SFWA took place on July 10!

Yay! An in-person opening at SFWA took place on July 10!

JULY

I’m in both of these SFWA July shows, “Verdant” and “Assemblage”. Saturday was my first in-person opening since early 2020.

Two of my pieces (far left and middle) in the Artists Salon Gallery July show at SFWA.

Two of my pieces (far left and middle) in the Artists Salon Gallery July show at SFWA.

AUGUST

In August – I’ll be showing my work at City Art Co-op Gallery on Valencia St (btw 19th-20th) along the main corridor of SF’s Mission District. City Art is re-launching their website with members on it now so check back soon.

SEPTEMBER

This fall brings us another annual ArtspanSF Open Studios (Sept-Nov). So I’m fluffing up my studio for visitors and also hope to show at SFWA at the same time.

Looking forward to our first trip beyond California! We’re flying across country to NYC in September for the annual Armory Show.

OCTOBER

I’m also working on pieces for two exhibitions curated by Nathalie Fabri (Oct-Nov); The Naked Truth Project (Analog Gallery); and Intimacy Illuminated (Arc Project Gallery). Plus there are several juried and/or curated exhibitions at SFWA.

NOVEMBER

After a year-long delay, SFWA is holding our first major fundraiser at the top of Sales Force Tower (SF) on Nov 17, 2021! Details to follow.

DECEMBER

Plans are underway for an event and publication for The Invisibility Collective Nov-Dec 2021. Follow us on Facebook and Instagram. Exciting event and publication info to come.

I will once again travel to much farther away places in 2022! Most likely we’ll be going back to Spain, France, and Italy. Maybe we’ll add someplace new in Eastern Europe.

A colorful corner of the gallery section of my SoMa studio.

Fall Open Studios

Please join me at my studio in the Sobel Design Building in SoMa for a private tour of my gallery/workspace from Sept 18-Oct 30. Email me or text me for an appointment M-S, 9-5pm. I’ll have a small mix and mingle reception in my studio on a date TBD in October. Look for updates!

ArtspanSF is taking a new approach this year and there will be open studios all around SF. You can visit artists’ private studios and group spaces.

I’ll also be at SFWA the weekend of Oct 2-3 where our reception runs from 11am-5pm.

From Oct 21-Nov 21 you can see an exhibition of works by all participating artists at SomArts. There will be several additional Artspan events running throughout November.

Drawing circus artist/aerialist Bridget was my first and last in-person model session before surgery and post-vaccination.

Drawing circus artist/aerialist Bridget was my first and last in-person model session before surgery and post-vaccination.

Cherry Pits Art Merchandise

REDBUBBLE

I’ve added quite a few of my most recent artwork as repeat designs for merchandise on RedBubble. There’s an even broader range of color palettes and subject matter (still figurative). Don’t see what you want? Let me know. I can always add more!

This hot series of Amanda (#theartache) has a unique color palette – shades of purple, blue, aqua, orange, and gold.

Teal and royal blue squares and figures – a new addition to RedBubble! This is Titania.

Personally, I’ve bought and tested most of my RedBubble art merchandise – including socks, dresses, blouses, iPhone cases, notebooks, masks, coasters, postcards, and more.

I have many mask designs on RB. There are still times when you need to wear one…

I have many mask designs on RB. There are still times when you need to wear one…

Bright bold new addition of a pattern with Bridget on a circus ring – just added to RedBubble!

My friend in London just received a blanket (shown above) with my art on it. I can’t believe how fast it got to her!

SPOONFLOWER

Abstracted Figures fabric by cherry_pits on Spoonflower - custom fabric.jpeg

Spoonflower (examples above) is where you can order a wide variety of textiles with my artwork in a repeat pattern. They’ll make it for you in organic cotton, chiffon, velvet, lycra, upholstery fabric, and many more options. They’ll also make you wallpaper! Since I began working with Spoonflower in 2016, I’ve designed and made or had made - all sorts of fabrics and ready-made items, mostly soft goods. I’ve bought the fabric and made all kinds of products and I’ve bought their ready-made with my textile designs. I especially love their cotton sateen throw pillows, sturdy canvas dishtowels, placemats, cocktail napkins, and table runners – all made from my designs. I’ve tested many of them myself. The quality is excellent.

This is among my first products which I started making in 2017 with the help of a pro, who also taught me how to sew, Connie Walker-Shaw (classes at SEW on W. Portal).

The Naked Truth Project Exhibition

Black and white portrait of me draped in my artwork (assisted by Jack Ostrofsky) in Radian Gallery at our exhibition, “Seen x Unseen” in Jan 2021.

Analog Gallery (SF) will host the analog exhibition of this previously Instagram-only show of black and white photographic self-portraits made by artists with their art in Covid stories. Details to follow – check back next month for dates and description. This show is curated by Nathalie Fabri. Here’s the background from her website: “My niece in France recently participated in this project for non-essential workers. The idea is from the term « a poil » a slang term meaning naked. If the government shuts us down, they are taking everything from me…so I am left naked. This has inspired me to start a campaign in partnership with Fabio Reis, artist and musician, about all creatives, called #TheNakedTruthofArts. The naked truth is that artists and musicians have certainly been considered non-essential and have been suffering…What is your story? Maybe you have had more work because of donations and grants…tell us. Maybe you lost most of your creative income? tell us! maybe your creativity has suffered so bad from stress that it has affected your livelihood.. tell us. I invite you to take a photo of yourself and a piece of your art if you are an artist, with your instrument if you are a musician, With your creative tools if that’s what you want to show, in black and white with the idea that you are naked behind it, telling us the Naked Truth about your situation.”

Cat of “Caturday”, @newyorkcat, and @DistancedDrawing Zoom modeling session. They’re a gorgeous aerialist/nightlife performer in NYC. Combined with the Berkeley Rose Garden (above). And Cat with their ring  painting (below).

Cat of “Caturday”, @newyorkcat, and @DistancedDrawing Zoom modeling session. They’re a gorgeous aerialist/nightlife performer in NYC. Combined with the Berkeley Rose Garden (above). And Cat with their ring painting (below).

See more here: @newyorkcat / @distanceddrawing

See more here: @newyorkcat / @distanceddrawing

“Abstracted Bibi” is placed in a virtual diningroom.

“She’s a Rose” was selected by gallerist Andra Norris for “Verdant” for July at SFWA.

“She’s a Rose” was selected by gallerist Andra Norris for “Verdant” for July at SFWA.

Intimacy Illuminated at Arc Gallery

“Intimacy Illuminated: Light, Luminosity and Intimate Relations" is a Bay Area Exhibition in Arc’s Project Gallery curated by Nathalie Fabri. Through works that depict luminosity and use of light, to works that honor a feeling of intimacy between people, this exhibition explores the merging of these qualities these pandemic times.

I’m delighted to be included in “Intimacy Illuminated”! Nathalie Fabri saw my room-sized installation (below) in “Seen x Unseen”, the inaugural exhibition by The Invisibility Collective in Dec 2020-Jan 2021 at Radian Gallery (SF).

I’ll be creating a site-specific variation of my original installation. There will be a reception – so look for an update coming soon.
Runs Nov 20-Dec 18

Three of the five sheer fabric figurative panels hanging in “See Through Me”, a site-specific mixed media installation featured in “Seen x Unseen” at Radian Gallery.

Women’s Caucus for Art

I’m curious to see what this group will do. I have always been passionate about and actively engaged in women’s organizations, especially mentoring and advancing women in the arts.

Grace of No Age: It’s Not Too Late

“Woman on the Fence” depicts a figure both entering and blocked by an entryway/gate.

“Woman on the Fence” depicts a figure both entering and blocked by an entryway/gate.

See the latest article by yours truly, AKA Creative Coach and Goddess here. I neglected to mention that everything I talk about in the article is based on what I’ve done personally. See more here.

A favorite view of NYC from my last visit in May 2019.

NYC Here I Come

Each year The Armory Show takes place during spring and fall in NYC. This September I’ll be there!

For me, NYC is about visiting friends and family AND seeing a lot of art. When I lived in NYC – way back in the wild and crazy 80’s, I was working all the time. Now I am curious to see how The City is recovering from this trying year and a half. And I always look forward catching a bit of East Coast seasonality which I always miss.

Interior Designers and Art Consultants take note! Did you know that I can make my digital original art for your client’s space in almost any size or format, and print it on almost substrate? That means paper, wood, glass, fabric, metal…and more (you name it). And all types of commissions are available too.

Find all of my links in one place!

Click the button below for my website, Instagram, Facebook, Patreon, Pinterest, YouTube, RedBubble, Spoonflower, Grace of No Age, and The Invisibility Collective.

Transitional Spring

Susan R. KirshenbaumComment

I lost track of the beginning of this year. It just felt like a continuation of 2020. So I was alarmed to see that I hadn’t blogged since December 2020.

The season has changed though and I have been deeply enjoying the prolonged California spring. Life will never return to “normal” but it feels like we are in the midst of a transition from pre-vaccine to post. From last spring to this spring.

Unrealistic assumptions (this will be over soon) combined with fear, anger, confrontation, illness, death, and hopelessness are shifting into a different phase that feels more positive. We know we have all changed since pre-Covid. Now we are sorting out how life might be on the other side. As we sift through what we’ve learned and experienced during Covid – such as increased appreciation of nature; being less busy; being quieter and more present; and appreciating where we live while we can’t travel – we try to hold onto the best parts while easing back into increasing our in-person interactions.

In February I was fully vaccinated and I’ve been so relieved and eager for friends and family to be vaccinated too. I don’t feel safe planning trips requiring flights just yet. Transitions are tough to navigate. But I am eager to be back indoors at galleries, museums, and art fairs. I even made my first post-Covid vaccination trip into the desert.

ROAD TRIP: PALM SPRINGS

The sky and the pool area outside of a home we toured at Modernism Week in Palm Springs. People said it was unusually hot and humid but for us it was all a novelty. Since I live in a narrow range of temperatures most changes are refreshing.

The sky and the pool area outside of a home we toured at Modernism Week in Palm Springs. People said it was unusually hot and humid but for us it was all a novelty. Since I live in a narrow range of temperatures most changes are refreshing.

MODERNISM WEEK

It was our first chance to get out town for longer than a day. Fully vaccinated and wanting a drastic change of scenery, Palm Springs was calling. A friend had just moved there too, so we got to visit and see the sites with her. She just opened a shop there too, so check it out if you go! Preview her gorgeous Italian linens at Talini Home.

It was so much fun to mingle with art and design loving people! Palm Springs is a mecca for both. The area’s midcentury style is right up my alley (I live in a 1959 house in SF) and it brings back fond memories of my childhood in the 1960s.

This house had a few outrageous pieces, like this feathered lamp.

This house had a few outrageous pieces, like this feathered lamp.

DESERT X

Driving around in an air conditioned car was a delightful and easy way to navigate a handful of the outdoor sites comprising Desert X.

This “N” is a portion of an art installation within the stunning cactus landscape of Sunnylands. The title is Women’s Qualities by Ghada Amer and large-scale words are spelled out in steel planter boxes with plants inside (below). Possibly best viewed from above for the full affect, this was still a delightful place to relax and get refreshed. It’s a home, art center, retreat, and garden.

Desert X runs through May 16. We also visited Serge Attukwei Clottey’s installation, The Wishing Well made of recycled yellow plastic water containers; Galanin’s Indian Land; Myer’s The Art of Taming Horses; Simmons’ Because You Know Ultimately We Will Band A Militia; and Stringfellow’s Jackrabbit Homestead.

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Serge Attukwei Clottey’s The Wishing Well is made of recycled plastic water containers woven together into structures and platforms at Desert X.

Serge Attukwei Clottey’s The Wishing Well is made of recycled plastic water containers woven together into structures and platforms at Desert X.


JOSHUA TREE & NOAH PURIFOY

This powerful piece of installation art (below left) is one of 100’s created in this “outdoor desert art museum” created by the late Noah Purifoy. Many works are strong statements about racial inequity. See more here.

Hard to see in my shot but on the left the sign says “white” and on the right, “colored”.

Hard to see in my shot but on the left the sign says “white” and on the right, “colored”.

Photographed at Noah Purifoy’s outdoor museum where even the plants look special.

HOT WEATHER & COLD DRINKS

Palm Springs enjoys a sensational cocktail culture so reminiscent of its midcentury modernist roots. This is THE place to eat, drink, shop, and lounge by the pool, surrounded by sparkling green irrigated grass and a desert-mountain landscape. Add art and design to the mix, with friendly people, and all this makes it a great getaway.

I had this cocktail at a Palm Springs restaurant then I made it myself. It’s sort of a Gimlet but with fresh lime, cucumber, basil, and vodka. Like a trip to a spa in a glass.

I had this cocktail at a Palm Springs restaurant then I made it myself. It’s sort of a Gimlet but with fresh lime, cucumber, basil, and vodka. Like a trip to a spa in a glass.

Cocktail aesthetics always improve with a fresh pansy floating on top.

Cocktail aesthetics always improve with a fresh pansy floating on top.

ART EXHIBITIONS & EVENTS

SEEN X UNSEEN

The Invisibility Collective extended our December 2020 exhibition, Seen X Unseen, into January 2021. But Covid surging continued and our audience was extremely limited. Here are my floor-to-ceiling printed chiffon panels in my series, See Through Us, which occupied most of the second floor loft at Radian Gallery (SF).

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FEBRUARY, MARCH & APRIL

SF CITY ART COOP GALLERY

I began feeling hopeful about people re-emerging from their cocoons after the winter. Covid vaccines were becoming available and my seniority was for once an advantage, and I was able to get fully vaccinated in February. So I secured a wall space to show my work in February, March and April at City Art Coop Gallery in the Mission (SF).

Here I am in February at City Art Gallery wearing one of my RedBubble tops with my drawings of model Titania across the front. The piece above my head (left - magenta and purple), Swinging Through Summer was just purchased.

Here I am in February at City Art Gallery wearing one of my RedBubble tops with my drawings of model Titania across the front. The piece above my head (left - magenta and purple), Swinging Through Summer was just purchased.

April is my last spring show at City Art Gallery and then I’ll take a break. The piece in the center (sunset colors), SF Neighborhood series: Woman Rising, was just sold this month.

April is my last spring show at City Art Gallery and then I’ll take a break. The piece in the center (sunset colors), SF Neighborhood series: Woman Rising, was just sold this month.

During March at City Art Gallery I showed a selection of my digital original collages including four my Word series, a collage of Golden Gate Park’s Casting Pools combined with a model drawing of Lael (lower left), and new works on paper mounted on wood (lower right).

During March at City Art Gallery I showed a selection of my digital original collages including four my Word series, a collage of Golden Gate Park’s Casting Pools combined with a model drawing of Lael (lower left), and new works on paper mounted on wood (lower right).

SFWA

In March for Women’s History Month I conceived and hosted the gallery’s first zoom Artist’s Talk with Juror, Hillary Olcott, a curator at the DeYoung Museum. She was great to work with and really made the event a success. Now I must learn to edit video to share these Zoom talks.

The March exhibition at SFWA was themed Patterns & Symmetry. My piece in the show is titled Midcentury Woman. She’d look perfect in Palm Springs!

The March exhibition at SFWA was themed Patterns & Symmetry. My piece in the show is titled Midcentury Woman. She’d look perfect in Palm Springs!

Barbie on the Cusp series: Her Pinkness, is a fine art photographic diptych which is shown here printed on metal. It’s hanging at SFWA for the Spring 2021 Member’s exhibition.

Barbie on the Cusp series: Her Pinkness, is a fine art photographic diptych which is shown here printed on metal. It’s hanging at SFWA for the Spring 2021 Member’s exhibition.

Here’s my photo of a Burmese grate overlooking the city of Yangon, Burma. It was juried into the April “Scapes” exhibition at SFWA.

Here’s my photo of a Burmese grate overlooking the city of Yangon, Burma. It was juried into the April “Scapes” exhibition at SFWA.

NATHALIE FABRI COLLABS: The Mission Kiss & The Naked Truth

This heart of mine (an actual painting on wood) is one of many painted hearts hanging in the SF Mission for the second Mission Kiss, an art project produced by Nathalie Fabri.

This heart of mine (an actual painting on wood) is one of many painted hearts hanging in the SF Mission for the second Mission Kiss, an art project produced by Nathalie Fabri.

MY NAKED TRUTH

Draped in my art installation See Through Me was created for the Seen X Unseen exhibition produced by The Invisibility Collective at Radian Gallery, SF, in Dec 2020-Jan 2021.

Draped in my art installation See Through Me was created for the Seen X Unseen exhibition produced by The Invisibility Collective at Radian Gallery, SF, in Dec 2020-Jan 2021.

Nathalie asked a number of artists of all stripes to join her in this social media project and post a black and white “naked” photo of ourselves with a personal and artistic statement about our work during Covid. I wrote this:

As a figurative artist who is used to drawing live models in person on a regular basis, the pandemic led me to discover new ways to satisfy my need to keep up my drawing while supporting the life model community. I did not expect to enjoy drawing virtually but it turns out that I love it and as a bonus, it’s like virtual travel since I’ve been attending sessions held all around the world.

Model-led sessions are a fairly recent development in my experience, but drawing groups have been a part of my art practice for a very long time. Both types of groups are helping models survive under impossible circumstances. In addition to zoom model drawing sessions I attend my regular drawing group virtually. Twice a week I draw fellow artists’ heads and hands as we take turns posing. As a result of these Covid-inspired virtual sessions, I’ve gotten to know more artists, see their newly created work, meet models, and maintain my art practice. At the same time I was discovering the world of virtual drawing I was feeling a greater need to connect with artists to delve into a subject that has plagued me for a long time, and people seemed to be more available than usual. I began a series of bi-coastal conversations and together we formed The Invisibility Collective, which organized a year-end gallery exhibition in San Francisco. These powerful and enduring outcomes wouldn’t have happened without the pandemic.

See more of Nathalie’s Naked Truth Project.

ART AUCTION SEASON

Juried into the Artspan Annual Fundraising Auction this month, “Happy Yet Sad” went to the highest bidder. Congrats to Artspan for a very successful virtual event.

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SFWA will hold a fundraiser auction of juried art in May, so please plan to place your bids! Mark your calendar for May 22 - 29 to contribute to our organization’s critical fundraising event.

GRACE OF NO AGE

I continue to contribute articles to this international and bilingual (English + Spanish) website and invite you to explore the many articles written by women (goddesses) from around the world. Follow us on social media! Here’s my latest article. See all of our links here.

If you hurry over to 24th and Shotwell by Wise Sons Deli my heart painting might still be there. It could be yours – even though the art walk is past – there are still hearts left hanging and they need homes!

If you hurry over to 24th and Shotwell by Wise Sons Deli my heart painting might still be there. It could be yours – even though the art walk is past – there are still hearts left hanging and they need homes!

MORE CHALLENGES

How do we keep up our artistic momentum? During this transitional time – with light at the end of the tunnel – I am tasking myself with assignments like the Sumi Ink / Woman Warrior drawing project I’ve put off for too long. Pulling back from my dependence on my iPad as my primary art-making tool I want to work differently, so I am making myself draw a model with ink on paper every day.

I’m still enjoying Zoom life drawing sessions as much as ever but had a chance to draw in a studio in person last night and that was a thrill.

Gesture drawings of model Titania.

Gesture drawings of model Titania.

WHAT’S NEXT?

May will be a quiet month of recovery from shoulder surgery on my dominant arm, so if I can draw, it’ll have to be left-handed.

I will still have new work showing in a number of places both online and at physical locations. See my piece in SFWA’s Spring Forward, which is all online. Check out my photo art, Wall of Faces. I took a number of shots from different angles and directions then combined them into this photo montage.

I am captivated by walls. This photo montage is titled Japan series: Wall of Faces.

I am captivated by walls. This photo montage is titled Japan series: Wall of Faces.

Check out the SFWA gallery in-person to see the May show, Collage & Mixed Media (my piece is below), part of World Collage Day.

Fractured Alluris, a digital original collage, was juried into the SFWA May collage exhibition.

Fractured Alluris, a digital original collage, was juried into the SFWA May collage exhibition.

JUNE - JULY OPEN STUDIO

During the second month of my recuperation starting in June I will begin hosting my own Open Studio at 680 8th Street in SF’s SoMa. (Sobel Design Building). At my studio I have a good-sized gallery space as well as a separate work space. You’ll be able to see how I work and buy directly from me. You can browse my large inventory of art books, cards, original drawings, photographs, and prints.

PLAN YOUR VISIT

Contact me at SRKirshenbaum@gmail.com or text me at 415-425-3632 to visit me. My visiting ours will be Mon-Sat, from noon-3pm. There’s ample parking on all sides of the Sobel Design Building.

THE INVISIBILITY COLLECTIVE

We continue our monthly zoom conversations and have added an every other month feature of an invited guest to participate. Watch for upcoming events and another group exhibition in December 2021. Follow us on social media! The Invisibility Collective. Art can and does activate change.

An End to 2020 (Whew!)

Susan R. KirshenbaumComment

Barbie dressed in festive attire, says “Happy holidays and here’s to 2021!”

AND A TOAST TO THE NEW YEAR!

My goodness, who didn’t want this year to end? Usually I’m writing upbeat recaps at this time of year. Despite everything, there were several silver linings. I’ll start with those. But as hopeful as I am about 2021, I am still deeply concerned how we will climb back out of all this.

EXHIBITION: SEEN X UNSEEN

For years I thought about aging, especially among women, as a way of becoming invisible. That was my initial focus because my work is about women and our bodies. Before the pandemic began, I was bouncing ideas around invisibility off of two friends, who are both now members of the Collective. I also wrote a proposal for an art residency that featured a project and an exhibition about invisibility. Then I decided to put together a group of artists to discuss these complex issues around invisibility, and to expand on my initial ideas to honor the multi-faceted breadth and depth of the concept of “invisibility”. I invited a handful of friends – all nationally-acclaimed artists, curators, and social activists with a variety of backgrounds and from California and Pennsylvania to form what is now known as The Invisibility Collective.

We convened last summer with regularly scheduled talks on Zoom. In just a few months we produced our first group exhibition, “Seen X Unseen” which is currently underway at Radian Gallery, in San Francisco. Each Collective Member invited one or two artists to participate in the show to form a cohort of a dozen.

Angela Tirrell, Lonnie Graham, Susan R. Kirshenbaum, Sophia Green, Rhiannon Evans MacFadyen (left to right).

THE ARTISTS

Collective Members: Lonnie Graham / Susan R. Kirshenbaum / Rhiannon Evans MacFadyen / Samira Shaheen / Angela Tirrell

Bios for Collective Members: The Invisibility Collective

Invited Artists: Mary Graham / Sophia Green / Rell Rushin / Sawyer Rose / John Stone / Christopher M. Tandy (Courtesy of Glass Rice Gallery, SF) / Nancy Willis

On Opening Day, December 5, 2020, at Radian Gallery in front of the first panel in the series that fills the room “See Through Us”. Photo by Candice Jacobus

FROM CONVERSATIONS TO CATALOGUES

The Collective took a deep dive into exploring invisibility at a poignant time in the world – in the midst of Covid; sheltering in place; and people hitting the streets to express dissatisfaction with our systemic racism and violence toward people of color. During this profound moment in history our group solidified and our conversations blossomed, and ideas flowed in many directions.

We decided to form a collective and proceeded to create an identity, build a blogsite and a presence on social media. By the end of August I had lined up a location for a group exhibition at my friend Tony Wessling’s spacious SoMa gallery, Radian. The Collective and our invited artists met and got to know each other on Zoom calls and in person during installation while masked.

Recently we had a very successful Artist Talk on Zoom. The unedited version is here: https://us02web.zoom.us/rec/play/MbFBd0K5lAO6y5c8N9jBgySJhcKhzdttkVplCzQsQerLRXapoLB5UTrouR09h0aX9A5WuEp38mfxjTBg.BH87HqyVhTsTPZgy?autoplay=true&startTime=1608407292000

Our exhibition catalogue has arrived! Want one? They are a very limited edition…but a few are available for $25 each. Email me to enquire: srkirshenbaum@gmail.com.

CATALOGUE FOR SEEN X UNSEEN

The alter (left) and ritual (right) by Collective Member Rhiannon Evans MacFadyen.

Paintings by invited artist Sophia Green (left) and Collective Member Samira Shaheen (right).

The installation by Mary Graham of painting and projection of video performance (left) and installation of photographs on paper and silk by her Collective Member and Mary’s father (right).

On this spread you can see Collective Member Angela Tirrell’s four pieces in the exhibition.

VIRTUAL VS IN PERSON

The tricky part of having art exhibitions during these ongoing Covid days is trying to get more virtual. I struggle with how to create an effective virtual experience when so much of art is physically experiential, and this show is especially spacial and experiential. So if you are local, try to visit. Contact me to arrange an appointment. It’s not illegal (retail=20% occupancy and/or by appointment) and we will take every precaution! Most of the art in this exhibition is for sale.

EXHIBITION INSTALLATION

For the first show I ever really produced I sure made it a doozy! Much of our work is challenging to hang and the gallery space has 22’ ceilings, both a blessing and a curse. But all of the artists were troopers. And Collective Member Lonnie Graham flew in from Philadelphia with complex artworks to install for three people. It took days to work out but it was well it worth it. Pieces by Christopher Tandy and Sawyer Rose each took a half day to install. My own work was difficult too, employing the use of the Pythagorean theorem to hang the five panels from the rafters. Special thanks to my husband Jack who installed so much of the show for me. (It’s a problem having a torn rotator cuff in my right shoulder while making and hanging art…but I felt I had to delay the surgery until I get the vaccine).

It also became evident during the installation that there was a remarkable synchronicity in our art materials, color palettes, and ideas. With the bright winter light streaming through the huge gallery windows and the cool cross-breezes, Radian Gallery is the ideal setting for our pieces to sway in the breeze – with fabrics, feathers, bones, and sculptures strung together on ribbons, chains and strings. That powerful cross-ventilation also importantly helps maintain a safe indoor environment.

Our gallerist, Tony Wessling, pointed out that while we’d filled the gallery beautifully, we had also taken over the entire space so that there could be no other events during the show (except those that featured us). Good thing there really are so few events taking place these days.

Invited artist Christopher M Tandy installing his piece In the Silence (Everything Dances) II

Site-specific installation art piece underway by Invisibility Collective Member Lonnie Graham, Ancestral Resonance, digitally printed on silk and paper.

Invited artist Sawyer Rose installing her piece, Loeta

A site-specific installation underway by Invisibility Collective Member Rhiannon Evans MacFadyen, You Cannot Look Away from What You Cannot See, 2020, Altar and ritual

OPENING THE EXHIBITION

Yes, I’m meeting people one-on-one under strict Covid-safety precautions. On December 5, Opening Day, we watched a ritual performance piece by Rhiannon Evans MacFadyen (left). On December 12 we hosted a second Open House (right). On December 13 the SF Bay Area went back into lock down. Email me to make an appointment: srkirshenbaum@gmail.com.

Radian Gallery on Dec 5, 2020 with Rhiannon Evans MacFadyen (front center) performing a ritual at her altar piece.

From the loft - Mary Graham’s installation piece with Angela Tirrell and guests at Radian Gallery Dec 12.

Guest viewing Angela Tirrell’s floor piece, WIRED II: Corona Totem.

Rhiannon’s MacFadyen’s invited artist Christopher M. Tandy (right) showing his installation to a guest.

Fred Bove viewing Sawyer Rose’s sculpture and portrait, Bety.

People are Water is from a collage series about water (2018), a digital original print on paper. Dress, leggings, and mask are my artwork available at RedBubble.

Pittsburgh artist and Collective Member Samira Shaheen’s two mixed media paintings (left) and Philadelphia artist and invited guest John Stone’s “Is a…” assemblage (right).

OUR COMMERCIAL

SEE THROUGH US SERIES

I created a brand new series inspired by our conversations leading to “Seen X Unseen” and it is composed of seven pieces called “See Through Us”.

In deep jewel tones they are meant to attract like a colorful bird or butterfly. Each panel is titled: (Emerald Panel) Dissolving; (Tanzanite Panel) Bounding Across Boundaries; (Poppy Panel) Slipping into the Abyss; (Coral Panel) See Concealing/Revealing; (Scarlet Panel) Here/Not Here, There/Not There, Here/Not There. Each digitally printed chiffon panel is 54” x 104” with multi-layered life drawings. The fabric panels are like abstracted bodies that they are the fabric flutters in the breeze and should be gently touched. It’s meant to be a sensuous experience of being caressed by these obfuscated figures. There is sense of moving through ghosts of the unseen. My models are aerial dancers drawn during Covid on Zoom, with strong identities as Black, Queer, and Trans—all groups struggling to be seen and heard, and which I drew at the peak of our nationwide uprisings. The fabric is meant to be touched – to be “swished through” starting from the first (green) to last (red) and landing the viewer in front of the two works on paper that are part of this series. One arrives at “And You?” and is asked to answer the questions. Pencils are supplied.

Front view of the installation has stronger colors and forms. (Nancy Willis’ work on left wall)

Rear view of the installation  (Nancy Willis’ work on right wall).

Rear view of the installation (Nancy Willis’ work on right wall).

Annice Jacoby writing on my piece And You? (left) as I requested from viewers. From my series See Through Us.

Part of our Collective’s research work entailed asking each other and people we know “How do you describe yourself in one sentence? AND “Do you feel / or have you ever felt invisible?” That is what you’re asked to write about here.

The second drawing, Appear/Disappear, has many of the words and phrases we bandy about pertaining to invisibility. The figure is disturbingly headless and upside down with her back to us.

Death, ghosts, and ancestors were a powerful thematic direction in this exhibition. The work shown by Member Rhiannon and her invited artist Christopher as well as Member Lonnie and his invited guests John and Mary all have this in common.

As I’ve said throughout my last few Covid blog posts, I love Zoom life drawing sessions. I hope these sessions really are helping our models and drawing groups stay afloat! It is also virtual travel. Plus, several friends have taken up art during sheltering, and they have discovered the joy many of us have known our whole lives. It took a pandemic…

INSIDE MY ART PROCESS

1) My initial drawing of model on Zoom ( yes - she’s hanging from straps in a headstand).

1) My initial drawing of model on Zoom ( yes - she’s hanging from straps in a headstand).

2) My finished drawing, now in “Seen X Unseen” titled “Appear/Disappear”. It’s a 36” square 1/1 print on fine art paper, 2020.

2) My finished drawing, now in “Seen X Unseen” titled “Appear/Disappear”. It’s a 36” square 1/1 print on fine art paper, 2020.

I have lots of art process videos on YouTube, but they don’t really explain how I work. They are just recordings of me working in Procreate, rather like David Hockney’s art process videos - if I can be so bold as to compare my process to his! See my art process videos here.

MY STEPS

PHASE 1: LIFE DRAWING SESSIONS

These days I research the various model sessions available, sign up, and attend from my home or at my studio.

PHASE 2: PREP FOR DRAWING SESSION

I start with my iPad Pro in Procreate and draw with an Apple Pencil (stylus) on color-tinted digital canvases of varied shapes and scaleable dimensions that I’ve prepared.

PHASE 3: CONTINUE TO BUILD AFTER THE SESSION

Then I go back and and experiment with the background color, the sequence of layers, the percentage of strength per layer, make more color and effect changes, and adding layers of photographs and paintings. I often take photographs now with collage-making in mind.

PHASE 4: FINAL PRODUCTION

Depending upon the output I want, I make a Photoshop file to fit the required specifications I either print the artwork or have a supplier print my work on paper, metal, or fabric. I’m eager to try glass and/or acrylic printing soon!

MAKING THE SERIES OF FABRIC PANELS

These are the initial quick gesture drawings of art models Titania and Kyla which I made during summer Covid Zoom sessions. The art has been reformatted, multiplied, and layered, showing movement, complexity, falling, leaping, and flying. In this series I reshuffled my drawings, took them apart and put them back together again, to overlap and become intentionally unclear and hard to “read”. I made the final files in Photoshop to send to print at a fabric-making vendor. My friend Connie Walker-Shaw (of SEW, in West Portal) did a beautiful job hemming them.

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WHAT’S IN THE SILVER LINING?

THE SF BAY AREA

I am fine. I am lucky. My health issues are minor. My friends and family have also been very lucky. As winter arrived, I have become even more aware that I live in a perfect temperate climate especially during what appears to be another draught. So I can walk or cycle around comfortably outside every day. It’s very quiet and pretty in my neighborhood and I live close to beautiful parks and the ocean. Most importantly, I have a superb life partner who loves to cook and bake and do things together. And I have a wonderful community of friends and I haven’t lost any of them.

MY GROUPS

I’ve got several ongoing groups in my life. I have exercise buddies I see near-daily at Zoom Pure Barre classes. And I’ve reconnected and gone deeper with some friends and some groups, like my drawing group – by now we know each others faces and hands intimately.

John

Dwight

Dwight

Barbara

Barbara

Tami

Alex

Dieter

Daisy

John Goodman’s Drawing Group on a field trip to a gallery exhibition between lock down orders, summer 2020.

FOUNDING THE INVISIBILITY COLLECTIVE

Of course there’s my wonderful, powerful, Invisibility Collective newly formed during conversations from June to September which were especially poignant and nurturing. That was before we had to put effort into the logistics for our current exhibition. I look forward to continuing our in-depth discussions in the new year and to deciding what artistic projects we’ll tackle next.

ON BEING A GODDESS

I’ve connected with some new folks, too, internationally, as one of the “goddesses” of a brave group of women who formed Grace of No Age this past summer. I wrote my second article for the website and it’s live now. Susan Kirshenbaum - check out my latest feature on the Grace of no Age website and find more like it – the group is dedicated to tackling issues relating to women and aging - which is something many of us think about!

BOOK LOVERS AND CURLY GIRLS

I love fiction and discussing books, so for years I’ve run a fiction-reading book group. I miss the in-person dinner parties we had but Zoom talks are not bad if it’s all you have. We are currently reading 11/22/63 by Stephen King. I sure do enjoy the time travel theme – and what a great read – and it’s nothing like his horror novels! Recently we read Richard Powers’ The Over Story which I loved. It reminds us of our place in the world. And I love trees.

Just for fun I host a Curly Girl group too, which talks politics more than hair.

A STUDIO AT LAST

In March – of all times – I acquired my first art studio – all to my self. It’s large and empty enough to exhibit my work and to invite visitors. I will have a new show there in spring 2020.

TRAVEL BACK TO 2019

I sure did travel a lot in 2019! Who knew it’d be like a savings account for a rainy day? I visited NYC, Mexico, Spain, France, Yosemite National Park, and Japan.

PETS ARE THERE FOR US

There’s nothing like a warm, furry critter to soothe the soul. I have two delightful cats, Reginald and Nigel. I know there’s been an explosion of animal adoptions in the USA, and I hope that people keep their pets post-Covid! How many friends do you have who recently acquired a furry pet? Nigel has a pet black cat with a little white heart. It’s an ornament, I think. One reason he likes this toy is that it’s made of wool and Nigel is a wool eater. Now I know everyone doesn’t love cats, but allow me to show you some of their indisputable charm as we spend so much time together these days.

Nigel with a flower

Nigel and his pet toy.

Nigel and his pet toy.

Snuggling on our guest bed which is now their bed

Snuggling on our guest bed which is now their bed

Posing with art, book, and asmall bronzes

Posing with art, book, and asmall bronzes

Reginald on the turntable

Reginald on the turntable

Reginald tucked in

BREAD BAKING

Many folks took up baking bread and so did my husband. I never want store-bought bread again! This is a great outcome of Covid as I know many share in this exciting new pastime. What have you taken up?

Jack and his serious oven mitts

Jack and his serious oven mitts

Rye tonight

RECENT WORK (IN BATHING SUITS)

Portrait of Titania in a swim suit I made recently during a zoom drawing session.

Portrait of Titania in a swim suit I made recently during a zoom drawing session.

LAYERS OF BOTANICALS AND PAINTINGS

As a result of drawing sessions being on Zoom now, many art models are not comfortable posing fully nude, so I’ve been drawing them with bathing suits and other minimal clothes. It helps the models feel less vulnerable out there where anyone might access their sessions. There are ongoing issues around what is allowed on different social media platforms and their rules about appropriate content. Clothing is like another layer of obfuscation to me. I continue creating new iterations of my original drawings by adding layers of paintings and photos, changing colors, and trying special effects. Here are some of my recent multi-layered collages. I am hoping to have some of this work land in a Breast Health Center in Philadelphia. I always thought that would be an ideal environment for my work.

Kyla swinging through the air on her silks

Kyana resting

Alluris in a head wrap

Alluris in a head wrap

Kyana in a field of sunflowers

AN EXHIBITION ABOUT CENSORSHIP

I have started planning an exhibition about Women and Censorship for the spring of 2021. There are updates on my censorship experience with YouTube – which would be amusing if it wasn’t so disturbing. A friend, Ken - the above videographer, made a video about me - just a short piece about a show I was having at City Art Coop Gallery (SF) in September. He posted it on YouTube and it was completely removed! When he wrote YouTube a complaint letter, they returned it to the site, but had labeled it “age restricted” (18+). If you see a black hole on anyone’s YouTube channel it’s because their video was removed.

NEW YEAR WISHES

My hands as drawn on Zoom by drawing group artist Dieter Tremp.

I wish for the vaccine to reach an enormous swath of people around the world and save lives while allowing us to be able to move on. I’m excited about the future yet I know how uncertain it is. I love to plan so this is tough. Still, as soon as it’s SAFE we will take off on more adventures (but we’ve learned to stay home, and that’s a good thing too)!

GOOD RIDDANCE TO 2020 – LET’S TOAST TO 2021!





































Just. Fall.

Susan R. KirshenbaumComment

Here in the Bay Area of California life continues with very little change as the seasons shifted from summer to fall to early winter. If your life involves school there’s that big seasonal change. If not, things just keep moving and the quality of the light changes a bit, it gets dark too early, there’s an added crispness in the air, there’s often wildfire smoke in the air too, and this year, it meant that we were catapulting into the election. Whew. I am relieved and yet the work ahead is massive. Enough said.

My thrust on the state of humanity of late focuses on what I call “the invisibility factor”. There’s plenty to look at there! So this blog post features the first group show by The Invisibility Collective and invited artists in December. The piece below will be part of my installation – which you may write on if you come see the show in person!

Obliterated drawing of the inspiring model Kyla in an aerial dance pose with limbs wrapped in her silks. This 36” square print (Ed 1/1/) is on archival paper and will appear in the show hung on a wall that is contiguous with my new series of five 8’ long hanging sheer panels. There will be little pencils there too so you can write directly onto the print.

FALL FEATURES

The Invisible Collective Exhibition “SEEN X UNSEEN” Opens Sat, Dec 5, Noon-6pm, at the Radian Gallery (SF)

Virtual & In-person Open Studios

The Zoom Drawing Experience

Being Censored Becomes an Exhibition

Seen x Unseen – The Invisible Collective’s Inaugural Exhibition

WHO WE ARE

The Invisibility Collective is a collaborative group of nationally acclaimed artists, curators, and social activists exploring the deep experiences and complexity of the concept of Invisibility. Our varied backgrounds help bring our mission to life – to make change through artistic activism, and specifically, by making invisible people visible.

SHOW OPENING

We are having our first exhibition. I hope some of you will be able to visit Radian Gallery (SF) in-person. The first two Saturdays of December we’re are having several types of opening events (Covid may affect all this so check back) including art talks by Collective Member Artists Lonnie Graham, Rhiannon Evans MacFadyen, and more. Make an appointment now to see the show as occupancy will be extremely limited and timed. The rest of the month the show will be accessible by appointment and we will have an online version for those who can’t make it in-person.

“Dissolving” will be in the show with four other 8’ long panels on chiffon that you may walk through.

BACKGROUND

CURATORIAL STATEMENT

This exhibition looks at various ways that people express their feelings about being seen and not being seen and the intersection of the two worlds. We are exploring the many aspects of what it means to be invisible and presenting ways of becoming more aware of how this status affects us. Each of the collective’s members has asked questions about their experiences with invisibility.

Our inner community is expanding to include a slightly larger outer community circle. Together and individually we are exploring this intersection of being seen and unseen. The Invisibility Collective and invited guest artists are assembling an exhibition that is the culmination of months of virtual “Covid conversations” from the West Coast to the East Coast of the USA.

The ideas that form the foundation of the collective preceded Covid, but have not surprisingly grown to encompass elements and results of the prolonged pandemic. How often and in how many ways do these words come up in your own conversation? As we’ve probed these ideas sparks have flown and intangible becomes more tangible. We are peeling away layers to look beneath the obvious – to reveal – and to reflect through an art experience that peaks the senses. Questions are raised. Answers are discussed. It is experiential.

As The Invisibility Collective Founder, I’ll be showing a new digital original collage, “Appear/Disappear”, a 36” square print on archival paper to be positioned next to my floor-to-ceiling chiffon panels.

“Seen x Unseen” is the intersectionality of two ideas. “X” means so many things: It is an iconic symbol that is both the unknown and the intersection and it is a multiplier. Invisibility can be applied to the entire gambit of sociological, economic, political, and personal conditions and perceptions.

In this exhibit we have created new works, pulled from our personal archives, and invited artists from our broader communities to bring bold their statements into the public eye and to be seen, felt, and explored.

Invisibility Collective Members

Lonnie Graham

Susan R. Kirshenbaum

Rhiannon Evans MacFadyen

Samira Shaheen

Angela Tirrell

Invited Artists

Mary Graham

Sophia Green

Rell Rushin

Sawyer Rose

John Stone

Christopher M. Tandy (Courtesy of Glass Rice Gallery, SF)

Nancy Willis

Invited artist Nancy Willis’ Syria Dangling, a photopolymer 3-plate monoprint, 17”x16”, 2020.

Invited artist Nancy Willis’ Syria Dangling, a photopolymer 3-plate monoprint, 17”x16”, 2020.

Collective Member Samira Shaheen’s mixed media piece, Crossover, is in the show next month.

Image by Sawyer Rose as part of her installation, Force of Nature: Bety,

Invited artist Sawyer Rose’s installation, Force of Nature: Bety, will be in “Seen X Unseen”. (Both images above)It is from her series FOR NEITHER LOVE NOR MONEY-Women’s Invisible Labor/http://www.carrying-stones.com/

Invited artist, Rell S. Rushin’s, Onward, is an acrylic painting on canvas, 36”x24” in “Seen X Unseen”.

Invited Bay Area artist Sophia Green will be showing Isolation: Alone We Stand Alone We Fall, an oil painting on canvas, 31”x31”.

Sophia Green will also be showing Private: How Much Do You Reveal How Much Do I Hide, an oil painting on canvas, 37”x49”.

Christopher M. Tandy’s Into the Threshold, Into the Hum, installation is a sample image of his work. Courtesy Glass Rice Gallery

Christopher M. Tandy, assorted drawings - graphite on paper is a sample image – not the actual work in the show. Courtesy Glass Rice Gallery.

The Invisibility Collective Member Angela Tirrell at work in her Napa stdio.

Collective Member Rhiannon Evans MacFadyen’s, Of What You Cannot See From What You Cannot Look Away, 2020 (working title), a site-specific altar and sculptures. Dimensions variable (this installation approx. 6 x 6 x 6 feet). This is a sample image – not the actual work in the show.

The art process video of me drawing this Barcelona model was just removed from YouTube.

ARGH! I’M BEING CENSORED

It’s true. I’m shocked. But I really am being censored. Recently YouTube has changed/automated their algorithms so that they “capture” my videos and disallow them. Which means that they either remove my videos and/or make them unavailable to anyone who is not over 18 years old. Here’s a letter I recently sent to YouTube to try to get them to reinstate my art process videos, and in fact they did reinstate one video (of several):

I am a figurative artist who works on an iPad Pro in Procreate. This app records me making art and helps me provide demonstrations for both art students and established artists. That's why they are called “art process videos". They are teaching / demonstration tools. There is nothing inappropriate about the subject matter. It is not sexual or explicit. These are works made working with professional art models – as is the standard in the art and teaching world. Museums and art galleries welcome the public at large – of all ages. Why censor my work? Why target me – an artist? My work is never violent or sexual.”

I find this topic terribly fascinating! It is a despicable situation. How can this happen in the USA in 2020? It is fascinating that the social media world is so restrictive about benign works of art.

There is a crazy censorship issue involving female nipples – evidently not just in photos but in drawings too. Um, have you ever been to a European beach?

This drawing of Kyla encountered the female “Nipple Rule”. I might have key worded in “trans” and set off an alarm.

My art process video displayed below was removed. I disputed it (see my letter) and they put it back. Other art process videos…I was not able to get reinstated. Most of those that were questioned were re-assigned to an 18+ age requirement. I understand parents not wanting their kids to watch violence or porn, but this is neither. Take it up with me? Send me a note.

Remember when the NEA was in a panic over the performance artist Karen Finley? Amidst the dirty politics of the the current presidency I am having to fight for my freedom of expression to show how I draw a model. There is the ugliest, nastiest, most violent, utterly untrue noise around me, in Tweets, and on Fox News. And here I am, just drawing. Nothing vile. Nothing frightening. Nothing damaging. Not even creepy or disturbing…

YOUTUBE SAYS THIS:

Don’t post content on YouTube if it has any of the items below. Explicit content featuring the below policy violations could result in channel termination.

  • Depiction of genitals, breasts, or buttocks (clothed or unclothed) for the purpose of sexual gratification

  • Pornography depicting sexual acts, genitals, or fetishes for the purpose of sexual gratification

This story also makes me want to link to an interview I gave for a writer friend earlier this year, “Why I draw nudes”.

To be fair, this is not just about YouTube’s censorship. It is a general observation about a conservative shift that’s been going on for decades. Here’s a conversation that was relayed to me recently of an early modeling trauma from a model/teacher/artist friend: “Artist: Why are you showing us your stuff? Model: What do you mean? Artist: Please close your legs so I don’t have to see that or draw it!”

“Titania is Reflective” is a piece in the SFWA show about this theme.

I used my bathing suit-clad models for my VOTE series so they would be fully accessible on RedBubble and not behind a wall of for Adults Only.

I used my bathing suit-clad models for my VOTE series so they would be fully accessible on RedBubble and not behind a wall of for Adults Only.

WHAT AM I DOING ABOUT THIS?

From my new series of diptychs here is With/Without: Abby.

Every time I turn around my work is being censored. This experience is helping me form a new exhibition concept. I’ve begun work on a solo show “Women & Censorship: Imposed/Self-Imposed” (a working title). I’ll open in March of 2021 and I’ll also host several artist’s conversations on this topic. The exhibition will take place at The Misho Gallery – where I have my studio – in the Sobel Design Building. Opening day is Dec 5.

SF Open Studios – Virtual & In-Person

The annual Artspan Open Studios were so different this year! Well, they had to change or not have them at all. So Artspan re-organized the whole thing, and although I was sad that with an actual studio for the first time I was not able to have a regular open studio as people did pre-covid, I too worked around our limitations.

Participant artists had virtual Open Studios for several hours on assigned days. I chose to conduct my session in the Artist Salon at SFWA in front of a wall of art.

MY VENUES

At SFWA the Artspan Open Studios Live Virtual Event ended and an in-person Welcome event began.

Fellow artists visit SFWA’s Artist Salon Gallery at the in-person Welcome for “Abstract Thinking”.

At my in-person one-on-one Open Studio visit. This is the gallery portion of my studio (on loan from Misho Gallery) at the Sobel Design Center. I filled the whole space with my work. I hope to have a show here in Spring 2021.

My art friend and patron Kris visiting my studio during Open Studios. She’s wearing my art mask and leggings titled Woman on Fire!

At the home of my buyer after delivering The Situation, from my SFWA show, the “Word Series”.

ZOOM DRAWING SESSIONS

Starting in the Covid Spring of 2020 artists and models began organizing virtual drawing sessions to accommodate models’ lost wages and to maintain artists’ drawing routines. Like any exercise, we require frequency and continuity of our practice.

A model drawing from a live and a virtual session held in my old home, Barcelona.

A model drawing from a live and a virtual session held in my old home, Barcelona.

Some folks who never drew the figure and had lots of time on their hands while sheltering decided to take it up. Now it’s incredibly popular!

Janique M. Bailey is a Berlin-based American model (artist and dancer too) who is utterly thrilling to draw. Her look is inspired by Grace Jones. The drawing group that hired her for this session is based in London.

Titania is a fantastic Bay Area model who runs her own sessions. I have been totally inspired by her spirit and her impossibly athletic poses.

Alluris, aka “the alluring one” is a charismatic Bay Area model I was lucky to get to draw for many months of Covid sheltering. Loved her DJ music too.

There are many types of drawing groups around the world and they hire all sorts of models (or models organize themselves), and provide instructed or uninstructed sessions, plus they all make it easy for online payments, and when it’s safe in one country/city or another, they also open their doors again to scaled-back, masked in-person sessions.

An unintended advantage of the virtual session: Models are often wearing underwear or bathing suits - and this is because they feel unprotected by such easy access. This trend makes virtual drawing session art more appealing to a broader audience who might not buy a nude.

I created this multiple piece called “Embrace inspired by the graceful and expressive model and dancer Lael.

Art model Bibi is also Bay Area based. We have a wealth of talent right here!

Amanda is multi-talented and loves a good theatrical costume and/or theme. This was her dark angel.

Kyla, on the East Coast, is an aerial performer. Drawings of her dangling are the basis for my latest ceiling-to-floor panels for my Dec show, “Seen x Unseen”.

Yup, that’s her rifle over the fireplace in Victoria, BC.

Trying out drawing groups on Zoom, sometimes they describe and promote the model and sometimes not. I forgot to check who this group’s model was going to be. I admit to being less inspired by some models than others. That said, I like how this drawing turned out.

“Ruth” is a portrait I made in a virtual session billed as drawing an “older woman”. So many models are young and beautiful, yet it feels odd to know that the pitch is to have a chance to draw an older person. This idea ties directly back to my thinking about The Invisibility Collective and Grace of no Age.

PEOPLE I KNOW

My San Francisco drawing group, led by John Goodman, and who I’ve mentioned in reference to our ongoing heads and hands studies, has met for many years two nights a week. We’ve maintained our core group throughout Covid through Zoom sessions where we draw each other while chatting and sipping. My drawing group has multiple participants who are both artists and models. Modeling helps an artist understand poses by feeling them. It’s all great exercise for me – the challenge of capturing a likeness or gesture of someones’ hands.

“Alex & his New Recorder”, is an avid life drawing group artist as well as a model. I’ve never known anyone to draw as frequently in figure drawing sessions as he does.

“Barbara” is a drawing I kept working on after my Drawing Group session ended. Now it can be found at the SFWA gallery in the Nov show, “Reflective”.

“Dwight Leaning Back”

AMUSEMENTS

A friend who is not afraid to wear color (in the form of my art clothes) or display figurative art.

I keep adding more art to RedBubble shop so that you too can find what you like and apply it to clothes, notebooks, whatever and buy it directly. The way that it works is I choose the product and apply my art and scale it as I wish. I get a commission from your purchases. You get your order directly from the website.

As the pandemic deepens we are staying home and not going into stores. I see this as an excellent time to amuse ourselves with a bit of arty shopping.

If you haven’t joined a book club yet, now’s the time. I’m reading Milkman for my book group. And I just read my friend Marta Acosta’s newly completed manuscript for Mad Dog Down the Road. This is the second book in the series. What a thrill! I can’t get over the fact that I have a friend who writes books that I love to read!

I took two ferris wheel rides last week! What a fantastic view. Somehow it felt like Paris overlooking two museums, a bandshell, and fountains. The sky was gorgeous both days. Check it out here.

HAPPY THANKSGIVING

It’s so hard to keep social distance all the time, and wear a mask in public, all the time. I really miss having friends in my house for dinner. We are all tired of the lack of friends and family in person. Of dinners and parties. Of travel, dining, art events, and shopping. As the weather cools and the rains come on, we know we have to moderate ourselves.

Let’s all be thankful for what we’ve got. Please stay well and safe. And stay in touch.

I am always looking for: Your Barbie Stories; Photos of your Collections; and now your experiences with being CENSORED, especially as an artist.

Amanda the singer/model poses in thematic costumes out of LA as we draw her on live zoom sessions during Covid sheltering

A Summer Like No Other Summer

Susan R. KirshenbaumComment

This is blog post is so late in coming. It is hard to finish anything. Now the end of summer is fast approaching so I will post and move on! In this blog post you can read about:

  • Tribute to Golden Gate Park

  • Collecting Anything

  • Two Exciting New Endeavors

  • California fires (on top of COVID)

ENDLESS DISCOVERY OF GOLDEN GATE PARK

So many of us have been getting to know Golden Gate Park better every day. Today I looked at the dew on trees (chilly, overcast), unfurling plants, still holding up and still delicious roses, and several mysterious statues!

Pioneer mother with exceptionally large hands and feet.

This plant shows leaves unfurling at their very best!

I did not set this shot up!

Set up shot of Red Bubble iphone case and matching rose.

Once, again, found perfection.

I was writing this post last over the July 4th weekend. Think independently! But act for the overall good. Wear a mask. Spend time outdoors at a safe distance. In the summertime - no matter where you are - it feels good to be outside getting doses of natural Vitamin D. Well, so that was until the fires began and kept me indoors. There is soot everywhere, but today I heard that our chilly, foggy weather is helping to get control over the multiple fires.

Last summer I was living and traveling in Spain. That seems like 100 years ago! Being almost always cool in SF was certainly a factor in taking off….although we were there in the midst of an intense heat wave. But water was almost always nearby for a dip.

One good outcome of Covid is that it will be easier to stay abroad at length (whenever that will be again) since I can continue my regular activities that I miss so much when traveling (Pure Barre classes and life drawing sessions) because they’re now all on Zoom! …if only they’d let us bad Americans into the EU…

THINKING ABOUT COLLECTING

Do you collect? What do you collect? I have loads of little collections. Don’t you want something new in your environment to look at? Ugh, I’ve memorized the pattern on the living room rug from Zoom exercising there. Time to refresh!

Or maybe you collect things that are less tangible – like stories, poems, or words…but I like to look at things. My mother could recite poems and she collected turtles. My father could tell entertaining war stories (!) and he collected pipes, and as a kid, coins and stamps. When we were little my siblings and I collected stamps, rocks, and shells. My father also loved to rearrange the art and furniture in our house. As a child I thought this was odd behavior because I didn’t see my friends’ families changing much of anything in their homes for years on end.

A collection of heads in a Greek museum (Cyclades). Thinking about goddesses.

But many artists are like to shake things up – we like to see things differently, especially our collections of artwork and “objets”. I like to photograph my friends’ arrangements and collections too. In my home, I change things around a lot and admittedly I am distracted when I am on a Zoom session looking around at what I want to rearrange. Then there are the pros. Friends who are interior designers or antique dealers, or world travelers with simply great design sensibilities. I am in awe of their collections and their visions. Arranging is certainly a a key to the art of collecting.

A portion of my tiny spoon collection - so easy to transport and store.

My aqua pottery, a little collection built out with the help of a pottery collector friend and author, Marta Acosta. Under a painting by Ward Hunter*.

Vintage Asian food carriers and basket and an antique Japanese bronze turtle snuck in.

Old Japanese tool collection

Hunter’s book plate

Hunter’s sketch book

*Ward Hunter was a well-known Pittsburgh historical artist active in the '1940s-60s. An accomplished illustrator, painter, and sculptor he was a friend of my father’s and a co-founder of the Ivy School of Professional Art.

I inherited some of my mother’s extensive turtle collection.

Bits of my art collection: “Her Pinkness” is my Barbie photography (top left); the painting below is by Everett Sturgeon*, aka “Sturge” (bottom left); Lisa Lightman’s encaustic painting (right), and wax head sculpture by John Goodman.

An image of a plate-filled hallway at my friend’s home. I’d call her a true collector. Every year she buys these artist-painted plates at a ceramic studio’s fundraiser.

Clay figurines collected by Francisco Toledo are now in a museum in Oaxaco, Mexico where he lived. He collected objects that amused him and put them against colorful backdrops.

Image of Christina Blakeney’s kitchen wall.

My tray with various collections

*Everett Sturgeon, aka “Sturge”, Pittsburgh-based sculptor and painter, 1920–1993. He was another co-founder of the Ivy School of Professional Art.

“Night in the Forest” (above, top) is my digital collage work. Above, bottom is a painting by Joseph Abbati called “Sup”.

Here’s a portion of large silver-leafed painting by Kim Anno, is placed above a silver-leafed thrift store table with a cluster of old bronzes and a variety of ceramic art pieces.

DO WE ALL COLLECT SOMETHING?

Rocks? Shells? Coins? Postcards? Pitchers? First editions? Tea cups? Textiles? Depression glass? Toy cars? Old sketch books? Stories?

I am still collecting Barbie stories. Send me yours!

What do you collect? Send me a photo and description and I will select a handful to post in my next blog.

I am taking a stand against the massive clean up and toss out that seems to be part of Covid and sheltering in place. That said, I agree with what the masters of cleaning and organizing say, at least in part - what you keep must bring you joy.

CherryPits.Net/Blog

SUMMERTIME

RESOURCES

Here are three fantastic Asian antique dealers’ websites where you can feast your eyes:

Galen Lowe

www.lasieexotique.com

The Fairmans

And a couple of inspiring interior designer friends:

Vicki Simon

Christina Blakeney

THE INVISIBLE WORLD WE LIVE IN

Invisible series: Camo

Invisible series: Dogwood Blooming #2

I am excited to announce a new collaborative art venture and soft launch of our blog site. Officially launching on Sept 1, The Invisibility Collective is a small group of artists around the USA who have been gathering virtually over the past few months to consider what it means to be invisible. The conversations are wonderful. There’s so much to consider. Here’s a handful of recent drawings and collages that I’ve worked on in Zoom model sessions that feel related to this project idea. Lots of research still underway…and as part of that, we’ve been asking two test questions:

  1. How would you describe yourself in one sentence?

  2. Do you feel invisible (or have you ever felt invisible)?

Feel free to email me your answers: srkirshenbaum@gmail.com

Invisible series: Ghost

BIG FIRES FIRES EVERYWHERE

Just when we thought matters could not get worse, here we are, dealing with evacuations, panic, destruction, and the results of climate change in the midst of a pandemic. I am lucky in SF all we have is very bad air quality and soot everywhere. People have mentioned the plagues, because they just keep piling on. I am deeply concerned for all the people in the line of fire, so to speak, and their homes, businesses, animals, and the entire landscape. I feel terrible for the wineries. This is a critical time for them. We’ve not had fires so early in the season. It’s alarming. And where are our prisoner fire fighters? So they wouldn’t die of Covid they were released and so that’s 10,000 fewer fire fighters battling the multitudes of fires. This is a strange story, and now the world knows about it.

There’s the strong smell of smoke inside my house with all the windows closed. I have not left home for a walk in days. It is the end of August, and life is not improving.

On a recent trip to Greece I was asked to choose a goddess persona. I chose Diana (Roman), aka Artemis (Greek).

REGULAR PEOPLE

Recently I was invited to be a contributor, aka “goddess” to write articles for a new website launching on Sept 1 about living a long, healthy, creative life.

The company is based in Girona, Catalonia and it is called Grace of No Age.

logo_grace_claim_web.jpg

Look forward to hearing from women contributing articles from around the world. My first article connects this new website about helping women transition into their older selves with my Invisibility Collective projects, which also launches on Sept 1 at The Invisibility Collective.

Portrait of an older female model I made at a Zoom drawing session recently.

PUBLICATIONS

NOW AVAILABLE! Barbie on the Cusp: Japan, Zine #3, This is a signed limited edition $25 all inclusive. See my photo setups of Barbie in Japan in this ongoing zine series. Email me to order: srkirshenbaum@gmail.com

COMING SOON! My first black and white photo book is at the printer now.

Invisible series: Upside down, all tucked in, and inside out

WHAT’S COMING NEXT?

> City Art Coop Gallery, Exhibiting in the gallery! Sept 2-27

> ArtspanSF Open Studios is Sept 16-Oct 14

> > Artspan’s Virtual Visit with the Artist, Teal Event at SFWA: Sat., Oct 3, 10am-2pm

> SFWA In-Person Opening Welcome! October Shows: Artist’s Salon: Sat, Oct 10, noon-5:30pm | Sept 27-Oct 31

> Open Studios in person @ my new Art Studio | Visit my Open Studio by Appointment | Sept 16-Oct 14 | Appointments are available for one-on-one distanced meetings: Oct 1, 2, 5, and 6-14 Location: 830 8th St, Suite 230 (btw Brannon & Townsend, Sobel Design Center).

PLUS

> SFWA Member's Online Show: All Together Now, August 

> Extended! ArtspanSF's Fundraiser, Art Lives Within Us online gallery

> LST Primary Colors, July

MDAC Top 100 Winners for 2020

Corona Self-Portrait Project Online Exhibition

PRODUCT LAUNCHES

I now have my art on Face Masks on both Red Bubble and Spoonflower! I just received my RB mask samples and they are quite wonderful - a soft jersey material that feels nice on the face. All of the products are lovely and well-made. I keep adding new art!

Need a school notebook? You can order this one with my art on it (or hard cover journal) from Red Bubble.

Wear some art! Match your outfit…

Buy direct! My art on textiles, wallpaper, & merchandise:

SPOONFLOWER  and @ REDBUBBLE

Want to encourage people to vote?

Newly added art with my VOTE message shown here on a magnet from Red Bubble.

On Spoonflower you can see an example of one of my most popular textile designs in a wide range of products.